I’ve
been thinking this week about villains and about what Clive Barker—author
behind the Hellraiser stories—once said,
that stories are only as good as their villains. As I think back on some of the
villains I remember most, I think Clive might have been on to something. The villains
who really stick out in my mind include some real classics: The Joker (Batman),
Brady Hartsfield (Mr. Mercedes), Darth Vader (Star Wars), Annie Wilkes
(Misery), Norman Bates (Psycho), Voldemort (Harry Potter), Scar (The Lion
King), Saruman (Lord of the Rings), Khan (Star Trek), and President Snow (The
Hunger Games).
The
most fascinating characters for me are the ones who demonstrate genuine
motivation for the things they do. Think for a moment about your own life. Don’t
you truly believe that the personal issues you have to deal with are the most
important problems in your world? And you’re absolutely right for thinking that
way because, for you, they are. Now take a step back, and understand that everybody feels that way, that their
problems are the most important issues going on in the world.
Now
carry that same idea over to your story world and the characters inside it. Whether
you’re dealing with the hero or the villain or the sidekick or the love
interest or the comedy relief or just a temporary walk-on, every character should
believe that his issues are the most important ones, and that he’s the true
hero of the story. This is especially true for your villain, who believes with
all his heart that his needs are the most important needs in the story, and
that everything he does to satisfy those needs is the absolute right thing to
do. In fact, in the villain’s mind, it’s the hero who is the evil one, the one who must be stopped, because the
hero is standing in the way of the villain reaching his goal. And when it comes
to reaching our goals or meeting our needs, doesn’t it just infuriate us when someone
purposely stands in our way? Doesn’t it always feel like the old geezer in the
car ahead of you is driving that slow on purpose,
just to piss you off? How dare he! Doesn’t he understand people have places to
go and more important things to do with their lives?
To
further clarify this idea, let’s look at an example. I’m a total Star Wars geek,
have been ever since that Saturday morning in 1977 when I first saw The
Millenium Falcon flying across my television screen. So let’s use Darth Vader. Vader
didn’t start out as the bad guy. He didn’t wake up one morning and put on his
helmet and say to himself, “Let’s go hack down a bunch of little kids today.” In
those early days, he was just innocent little pod racing Anakin Skywalker, remember?
Then he grew up and fell in love with Padme. And what could be more natural or
noble than love? So then Anakin and Padme get married, and then they get
pregnant. The only problem is that personal attachments are forbidden under the
Jedi code. The Jedi are expected to sacrifice the one to serve the needs of the many.
So Anakin has to keep his relationship with Padme a secret, lest the Jedi
Council find out and give him the boot.
One
night Anakin has a dream, and in this dream he sees Padme die while giving
birth to their baby. He believes it’s a vision of the future, and so he goes to
speak with Yoda about it. Yoda tells Anakin that death is a natural part of
life, and it’s not the Jedi way to disrupt the natural order of the universe. But
Anakin loves Padme! He doesn’t want to lose her! If he listens to Yoda, his
wife will die, and that’s just not an option. This isn’t the advice he was
hoping for, so he goes off to find another way. He speaks with Chancellor
Palpatine, who tells Anakin that it is possible to save Padme’s life, but only through
the powers of the Dark Side.
Anakin
is motivated by good intentions: he loves his wife and wants to save her from
dying. It’s a noble cause, one worth fighting for. And he does. Driven by his fear
of losing his wife, Anakin does whatever it takes to try and save her. Unfortunately,
his actions are contrary to the ways of the Jedi because now he’s sacrificing
the needs of the many to accommodate
the needs of the one. (Apologies to
all you Star Trek fans, but a universe axom is a universal axom!) Why does he
do this? Because in Anakin’s mind, his own personal needs are the greatest
needs in the whole galaxy. Instead of acting selflessly like a Jedi, he acts selfishly,
then rationalizes his behavior because it’s serving his greatest needs. He tried doing the right thing in the
beginning—he went to the Jedi first—but they refused to help him. So now he
feels he has no other choice. Any other course of action will lead to Padme’s
death, and that’s just not going to happen.
We
may not agree with everything Anakin does as a result, but we can at least
understand why he does it. Maybe we even pity him a little. In my opinion,
that’s what makes Darth Vader such an excellent villain, because we can empathize
with him. Despite the other questionably goofy characters Lucas created in the
prequels, he nailed Vader’s turn to the Dark Side of the Force and created one
of the most memorable and convincing villains of all time.
You
may be saying to yourself, “But if everyone thinks he’s doing the right thing, how
is the hero any better than the villain?” A fair enough question, and here’s
the answer: given any set of circumstances and options, the hero will always
choose to do what’s right, while the
villain will always chooses to do what’s necessary.
Heroes understand they always have a choice, and they also understand that
every choice has a consequence. They carefully weigh their options and think
about the consequences of their actions before deciding what to do next.
Villains, on the other hand, are victims who feel like they no longer have a
choice. They tried doing things the “sociably acceptable” way before, and it
just never worked out for them. The only option they have now is doing whatever
it takes to reach their goals, regardless of the consequences that follow.
Your
villain’s history and background is a vital component in determining how he will
act and why. As you develop your characters, carefully consider what is driving
their motivations and goals. Remember that every character feels like he’s
doing the right thing based on his own needs and circumstances; every character
is the hero of his own story. Keeping this in mind will help you create much
stronger and more memorable characters—especially villains.